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Summer creative writing workshops

Summer Programs

This summer, the Workshop will offer graduate-level courses in two separate summer school sessions for college credit. Admission is based on manuscript review and is open to all applicants, whether enrolled in a degree program currently or not. The postmark deadline for application to the 3-week or 8-week sessions is March 1.

Fiction Workshops

May 16-June 3, 2022 IN-PERSON

Workshop director, Lan Samantha Chang will teach a 3-week graduate fiction workshop.

May 16-June 3, 2022 IN-PERSON

Author Amy Parker will teach a 3-week graduate fiction workshop with an emphasis on speculative fiction.

June 13-Aug 5, 2022 IN-PERSON

Author Tom Drury will teach an 8-week graduate fiction workshop.

Poetry Workshops

May 16-June 3, 2022 IN-PERSON

Workshop poetry professor, Mark Levine will teach a 3-week graduate poetry workshop.

A writing sample is required for both courses: 10-12 poems for the poetry session, 2 or 3 short stories or chapters of a novel for the fiction sessions.

Application deadlines

3-week session application deadline: March 1
8-week session application deadline: March 1
All applications should be postmarked by March 1.

Tuition and Fees

Residents of the U.S. may register for three semester hours for the 3-week session or four semester hours for the 8-week session. Tuition and fees range from $1,400- $2,800 (depending on educational level).

To look up tuition and fees for three or four semester hours, please see the University of Iowa Office of the Registrar Tuition & Fees schedule.

  • At top right where it says “Select a session”, please use the pull-down to select the “Summer Session 2022” option.
  • If you have completed an undergraduate degree, please select “Graduate College” from the pull-down to the right of the session, and then below, for “Filter by Curricular College,” please select “College of Liberal Arts and Sciences”
  • If you have not completed an undergraduate degree, please select “College of Liberal Arts and Sciences” from the pull-down to the right of the session

International students may register for three semester hours for the 3-week session.

International students attending the 8-week session are legally required to enroll as full-time students, with 5 semester hours, and two months of living expenses and health insurance. International students should contact Andrew Wade in International Admissions for the complete requirements, by phone, at (319) 335-1534, or by email, at [email protected]

The University of Iowa cannot offer or facilitate financial aid for non-degree students for Summer Session tuition and fees.

Class schedules

2022 summer schedule is to be announced

Last summer the 3-week poetry workshop met on Tuesdays and Thursdays, from 10:00 a.m. to 1:00 p.m. (CDT)
The 3-week fiction workshops met on Tuesdays and Thursdays, from 2:00 p.m. to 5:00 p.m.
The 8-week fiction workshop met on Mondays, from 3:00 p.m. to 4:50 p.m.

Housing during summer sessions

The Workshop will send information on local hotel and bed and breakfast accommodations to everyone admitted to the graduate summer sessions.

Undergraduate summer courses

Several six-, eight-, and twelve- week creative writing courses are offered for undergraduates (CW:2870, CW:1800, CW:7870, CW:7875). Check MyUI for course listings.

The 6-week sessions for Undergraduates, June 27-August 4, 2022 are:

CW:1800:0001 Creative Writing Studio Workshop

CW:1800:0002 Creative Writing Studio Workshop

Housing is usually available to undergraduate-level students through Residence Services. The Housing Office number is 319-335-3009.

Other summer writing programs

Iowa Summer Writing Festival
Weekend and week-long workshops throughout June and July

Iowa Young Writers’ Studio
A creative writing summer program for high school students, taught by Writers’ Workshop graduates

Iowa Study Abroad
The Irish Writing Program: Summer Abroad in Ireland

The University of Iowa prohibits discrimination in employment, educational programs, and activities on the basis of race, creed, color, religion, national origin, age, sex, pregnancy, disability, genetic information, status as a U.S. veteran, service in the U.S. military, sexual orientation, gender identity, associational preferences, or any other classification that deprives the person of consideration as an individual. The university also affirms its commitment to providing equal opportunities and equal access to university facilities. For additional information on nondiscrimination policies, contact the Director, Office of Equal Opportunity and Diversity, the University of Iowa, 202 Jessup Hall, Iowa City, IA, 52242-1316, 319-335-0705 (voice), 319-335-0697 (TDD), [email protected] If you are a person with a disability who requires an accommodation in order to participate in these programs, please contact the Writers’ Workshop at (319) 335-0416.

Summer Creative Writing Workshops

Our unique three-week programs offer aspiring, practicing, and experienced creative writers a community in which to create and connect.

All interested students are welcome! You do not need to be a Berkeley student to enroll.

July 5 – 22 and July 25 – August 12, 2022

Program Overview

Classes meet either face to face or online. When registering, be sure you enroll for the format you prefer.

You can take daily creative writing classes in short fiction, non-fiction, poetry, and drama. You also have the opportunity to participate in a workshop that teaches you to present your work and listen and critique the creative writing of others. And, most of all, you will meet and socialize with like-mided creative writers and faculty.

Berkeley Students: Two 3-week creative writing courses count as one course for the Creative Writing Minor.


The following four classes meet Monday through Friday and are worth 2 units.

This course in creative writing focuses on the craft of reading and writing creative nonfiction. The course emphasizes an introduction to craft—how creative nonfiction is generated, what its elements are, and how finished pieces work—which students will explore through careful study of models by published writers, and through writing and revising their own short pieces.

This two-unit creative writing course on the short story emphasizes an introduction to craft—how short stories are created, what their elements are, and how the finished pieces work—which you will explore through careful study of models by published writers and through writing and revising your own original pieces generated for this class.

College Writing N133 is a creative writing course offering an introduction to the craft of dramatic writing through the study of works by professional playwrights and through composition and revision of your own playscripts. You will come to understand dramatic writing as an art and as a set of skills; you will receive an introduction to some of the elements involved in the creation of written scripts. Particular emphasis will be given to the work of generating and revising writing and, to a lesser degree, for the screen.

This two-unit creative writing course on poetry & poetics emphasizes an introduction to craft—how poems are created, what their elements are, and how the finished pieces work—which you will explore through careful study of models by published writers, and through writing and revising your own original pieces generated for this class.

This is a practical and personalized class that will help writers workshop and perform their creative work. Open to multiple genres–fiction, nonfiction, drama, poetry–we will discuss how to ask good questions to and integrate feedback from peers in workshop. We will help you revisit your work and produce a sustainable revision process for yourself. We will discuss how to select your work for public reading and presentation, and we will practice effective performance strategies. Above all, the class will be tailored to support your goals through individual consultation with the instructor.

*Note: ColWrit 135 is worth 1 unit and meets twice a week.

Faculty, Summer 2022

Our faculty are experienced instructors of creative writing as well as published authors. For summer 2022, our faculty will include:

Tory Adkisson, MFA

The Craft of Poetry
(Session E: July 25-August 12)

Tory Adkisson explores nature, masculinity, Judasim, and queer identity in his poetry. He is the author of The Flesh Between Us (SIU Press 2021), winner of the Crab Orchard Series Open Book Competition with individual poems appearing in journals such as Boston Review, Quarterly West, Third Coast, Barrow Street, while his criticism and reviews have appeared in The Rumpus and Ploughshares. He’s currently working on a second manuscript of ekphrastic poems centered around the homoerotic imagery of Japanese photographer Hosoe Eikō.

Joe De Quattro, MFA

The Craft of Short Fiction
​(Session F: July 5-22)

Joe De Quattro is an American fiction writer with new fiction in the 2022 issue of The Ganga Review. His story “The Thief of Oakland Hills” is forthcoming in Bayou Magazine, Issue 76, 2022. Other stories have appeared recently in Beloit Fiction Journal, The Carolina Quarterly, The Los Angeles Review, Adelaide Literary Magazine, among many others. His first fiction publication, “Angus in Extremis”, appeared in San Francisco’s Oyster Boy Review and was nominated for a Pushcart Prize. In 2015, Joyce Carol Oates selected his story “What Things, These Things, Stir the Heart” as a finalist for december magazine’s Curt Johnson Fiction Award. He has an MFA in Fiction from Bennington College, and has taught writing at Santa Clara University in Santa Clara, CA, and at Suffolk University in Boston, MA.

Read “The Muslim Car,” by Joe De Quattro in the Los Angeles Review.

Miriam Bird Greenberg, MFA

The Craft of Poetry
(Session E: July 25-August 12)

Miriam Bird Greenberg is a poet with a fieldwork-derived practice. The author of In the Volcano’s Mouth, winner of the Agnes Lynch Starrett Prize, her work has appeared in Granta, Poetry, and the Kenyon Review. She’s currently completing a hybrid-genre manuscript about the economic migrants and asylum seekers of Hong Kong’s Chungking Mansions, and in the past has written about nomads, hitchhikers, and hobos living on America’s margins. A former Wallace Stegner Fellow, she’s also held fellowships from the National Endowment for the Arts, the Provincetown Fine Arts Work Center, and the Poetry Foundation.

Read Miriam Bird Greenberg’s poem, “Brazilian Telephone.”

Joseph Horton, MFA

The Craft of Creative Writing: Workshopping & Performance
The Craft of Dramatic Writing
​(Session E: July 25-August 12)

Joe Horton has an MFA from the University of Michigan. He has written for Ploughshares, and is Playwright in Residence for the Savio(u)r Theatre Company in London, England. During the academic year, he teaches at both UC Davis and UC Berkeley.

Belinda Kremer, MFA

The Craft of Poetry
​(Session F: July 5-22)

Belinda Kremer is a poet who has since 2005 served as the poetry editor of Confrontation: The Literary Magazine, which has published continuously since its inception in 1968. Her work has been published in literary magazines such as Calyx and FENCE, and in her full-length book DECOHERENCE: Poems.

Mike Larkin, MFA

The Craft of Short Fiction
​(Session F: July 5-22)

Michael Larkin’s fiction and nonfiction have been nominated for Pushcart Prizes, been featured as “Notable Reading” in the Best American Nonrequired Reading series, and have appeared in publications such as Harvard Review, The Missouri Review, Arroyo Literary Review, Cimarron Review, and Writing on the Edge, among others. He has an M.F.A. in fiction writing from the University of Pittsburgh, and a bachelor’s degree from UC Berkeley, where he has taught for the past two decades.

Read Mike Larkin’s “Lunch with Borges” at the Harvard Review.

John Levine, MFA

The Craft of Dramatic Writing
​(Session F: July 5-22)

John Levine’s plays have been workshopped and produced throughout the U.S. —from California to New York, from Texas to Alaska. International productions include Canada, Mexico, India, Australia, the Philippines and the U.K. His work has also been published in a number of anthologies.

Eric Longfellow, PhD

The Craft of Short Fiction
(Session F: July 5-22)

Eric Longfellow is a fiction writer with a Ph.D. in English/creative writing. His previous work can be found in The Millions, The Rumpus, and CutBank Literary Magazine among other places. In addition to his own creative endeavors, he spent a number of years working in the publishing industry gaining editorial experience with Dalkey Archive Press and FC2.

Read Eric Longfellow’s “All Accounts and Mixture” at CutBank Literary Magazine.

Kaya Oakes, MFA

The Craft of Creative Nonfiction
​(Session F: July 5-22)

Kaya Oakes teaches is the author of four books, most recently including The Nones Are Alright (Religion News Association best books finalist), Radical Reinvention, and Slanted and Enchanted (San Francisco Chronicle Notable Book). Her fifth book, on women who don’t fit in, is forthcoming in 2021. Her essays and journalism have appeared in The New Republic, Slate, The Guardian, The Washington Post, Foreign Policy, Sojourners, On Being, and many other publications. She is also a senior writer at Religion Dispatches, a contributing editor at Killing the Buddha, and a staff writer at America magazine. In 2016, she was among a group of international writers who traveled to the Vatican to study reporting on religion in politically tumultous times. At Berkeley, she was the recipient of an innovation grant and a faculty fellowship from the Mellon Faculty Institute for Undergraduate Research, and a Lecturer Teaching Fellowship. She holds an MFA in creative writing and has done postgraduate work in writing and education at Berkeley.

Matthew J. Parker, MFA

The Craft of Creative Nonfiction
​(Session F: July 5-July 22)

The Craft of Short Fiction
​(Session E: July 25-August 12)

A born iconoclast, Matthew J. Parker took a hard left at the requisite right angle to reality. Becoming grounded again involved years of yoyoing through the confined spacetime of the American justice system. His first book–Larceny in My Blood–has a subtitle that sums it up nicely: “A memoir of Heroin, Handcuffs, and Higher Education.” Published soon after his graduation from Columbia’s prestigious MFA program, his work has also appeared in The New York Times, The Washington Post, The Daily Beast, Courier Newsroom, The Baltimore Sun, Guernica, The Rumpus, Blavity, The East Valley Tribune, and Five Points: A Journal of Literature and Art, among others.

Read Matthew Parker’s “Wanting to Kill,” published in the New York Times.